Creativity at Work

‘Creativity at Work – the ability to display productive originality’

  •   Definition of Creativity

  •   Measurement

  •   Enhancing Creativity

  •   Selecting and Recruiting for Creativity

  •   Creativity & Organizational Characteristics

  •   Conclusion

In an attempt to gain a competitive  advantage, organizations are now focusing on enhancing their employees creativity,  and not merely developing their technical competencies and skills. In a changing  world and economy, the role of creativity in the workplace is becoming ever more  prominent. However, a report by the Confederation of British Industry found that not enough firms are fully exploiting the business ideas of their employees and are not making the most of their skills. Whilst firms may be encouraging creativity, the implementation and management of the ideas generated is lacking. Consequently, many companies are deemed to be falling short of their potential, creating an ‘innovation gap’.

Organizations are finding that, as markets become saturated and competition gets stronger, it is increasingly necessary to find novel or innovative approaches to business problems and issues. They may look for this creativity in their staff or may even recruit new, more creative employees. This can help both the marketing of the organization by being seen to be creative or ‘cutting edge’, and it can improve productivity and efficiency by solving current problems or business obstacles.

Of course, the concept of creativity is an illusive one. How can one hope to enhance creativity if it is not first defined and measured? This article will provide an overview of the concept and ways in which it may be measured and enhanced in the workplace.

There are many aspects to creativity, but one definition could include ‘the ability to see existing objects or processes and combine them in different ways for new purposes or to solve existing issues’. Therefore, a simple definition of creativity could be ‘the action of combining previously uncombined elements’. From art, music and invention to household chores, this is part of the nature of being creative. Another way of approaching the concept of creativity is by seeing it as a process of exploring the way things are interrelated.

‘Creativity is the ability to generate novel and useful ideas and solutions to everyday problems and challenges’

Creative thought can be divided into two types of reasoning:

  • Divergent thinking:  the intellectual ability to think of many original, diverse, and elaborate ideas.

  • Convergent thinking:  the intellectual ability to logically evaluate, critique and choose the best idea from a selection of ideas.

Both abilities are required for creative output.  Divergent thinking is essential  to the novelty of creative products whereas convergent thinking is fundamental  to the appropriateness.

  • Measuring Creativity

The concept of creativity may be delineated into three dimensions; the person, the product and the process.

Person-based  – there are many ways to measure or infer creativeness directly from an individual.  For example:

Personality Measures – Looking at certain personality traits or characteristics  associated with a creative mind, e.g. intelligence, confidence, wit, originality,  informality and tolerance to ambiguity. However, psychologists have been trying  to find the ‘one’ personality profile of the creative person for many years without  any real solid evidence.

  • Biographical Inventories – The use of biographical data. For example, linking family and educational history to determine the potential  sources of an individual’s creativity, personal interests or hobbies that may  indicate a creative mind, or even personal relationships.Creative Ability – The direct measurement of creativeness by testing an individual with various established  tests. For example, the ‘unusual uses’ test, and other exercises in creative thinking  or elaboration.

Product-based – a more objective measure involving the assessment  of an individuals previous work for creativity and innovation.

Process-based – an examination of the creative processes employed by an individual to come up  with solutions to problems or design novel products (e.g. feelings experienced  before/during/after the innovation).

  • Enhancing Creativity

All people have the  potential to be creative but those who are recognised as being creative have an  certain awareness or insight that others don’t. Without the abilities needed to  be creative, it is highly unlikely that someone will solve a creative problem.  However, just because an individual has an ability to do something does not necessarily  mean that they will do it. It is for this reason that employers resort to various  techniques to enhance their employees’ creativity.

Organizational techniques to enhance the creativity of employees:

Idea Elicitation Techniques – To enable  individuals in organizations to generate more and better new ideas to tackle  particular problems or meet particular challenges.

Brainstorming. By removing ‘evaluation apprehension’, the fear that a new idea will be met with derision  or hostility, one can eliminate one of the most significant blocks to creativity.  This practice is based on two key principles:

Deferment of Judgement – resisting  any kind of comment or criticism of ideas until the end of the session no matter  how strongly you may feel. The aim is to get as many suggestions ‘out’ as possible  before judging or trying to refine them.

Quantity Breeds Quality – encourage individuals  to say whatever comes in to their mind no matter how silly or absurd they think  the idea is. Again, the aim is to get as many ideas as possible.

There are four  rules which must be adhered to when conducting a brainstorming session:

  1. Criticism  is ruled out – no matter how strange the idea

  2. Freewheeling is welcomed – let imagination  run as free as possible

  3. Quantity is wanted – generate as many ideas as possible

  4. Combination & improvement sought – building on ideas of other members

Other Idea elicitation techniques

Checklists – checklists are a simple and often useful  method of spurring thought about problems in a different way
Attribute listing  – like checklists, listing the attributes of an issue can help focus the mind  and explore the problem at hand
Forced relationships – exploring the ways unrelated  objects or ideas may be related to come up with novel solutions
Online Tools –  there are many websites on the internet offering idea generation tools to help  guide the mind through a particular problem. These tools may be entirely web-based,  or may be in the form of downloadable software.
Creativity Training – training  an individual or group with the skills required for successful creative performance  Consultancies and training centres can be used by sending employees on Creative  Problem Solving (CPS) programmes. Many advocate a 5-stage problem solving process  consisting of Fact finding, Problem finding, Idea finding, Solution finding, and  Acceptance finding.

  • Selecting & Recruiting for Creativity

By using assessment and selection  techniques to recruit creative individuals, an organisation can slowly establish  a more creative workforce. Examples of common techniques include personality &  biographical measures:

Personality tests – trait measures, attitude & interest  inventories. Cattell’s 16PF and OPQ (Occupational Personality Questionnaire) but  faking is a problem and traits are complex.

Biographical Inventories – biodata.  Domain specific. Pattern of specific creative behaviors in past. Bad for school  leavers/young people.

Assessing creative products – by looking at samples of previous  work, you may ascertain a certain level of creativity prior to making a hiring  decision.

  • Creativity & Organisational Characteristics

the structure, climate & culture of an organisation are important factors when it comes to facilitating  creativity. Examples of such characteristics are:

Leadership style – should ideally  be participative, democratic and non-authoritarian.

Job characteristics – desirable  characteristics of the job include discretion and autonomy.

Structure – a non-hierarchical,  flat organizational structure with permeable boundaries is most conducive to creativity  and innovation.

Climate – should be supportive of risk-taking, playful with ideas  and tolerant of debate.

Culture – should be liberal with the acceptance of non-traditional  thinking and a relatively low emphasis on rules.

The future promises to  bring more change, more complexity, and more competition. As a result, organizational  creativity and innovation will become a required operational discipline and organisations  will have to learn how to manager and enhance the creativity of their most valuable  assets – their employees.